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Only someone with the unformed mind of a small child would confuse me with a fictional character in a TV show.
ZARCO
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Only someone with the unformed mind of a small child would confuse me with a fictional character in a TV show.
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Clearly you don't understand how it works. It is you who is being ignored. Or is it that button has made you even more ignorant?
Hi my names is Literally Worthless. I Ride: whatever I can steal. The last thing I stole, double XL anal beads.
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Whatever I steal to ride, it won't be your mom.
Too much power for you. She'd throw you off in less than 8 seconds and you'd break a hip rendering you even more useless.
Just as a side note, don't forget who stepped this up to a personal level.
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No offence to your actual mother intended. Only referencing the ride preference you list in your avatar info.
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Worthless you do know that along professionals which you most certainly are not, the consensus is he was the best rock drummer in history? Go back to smoking meth, you're irrelevant.
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It all comes down to the electronics in the end doesn't it?
I stayed off this thread for 24 hours. It was actually relatively civil. I came back and saw a flame war. Surprise, surprise, Kancer had entered the thread and resumed his Klogging.
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Strong debating skills you have there.
No doubt Led Zeppelin were tremendous musicians, and Bonham a great drummer. As you are no doubt aware Page was a much in demand session musician prior to the Yardbirds and the New Yardbirds/Led Zeppelin, and played on many sixties hits including Donovan’s.
I am a moderate fan, particularly of the first 2 albums and always loved the Immigrant Song even as a kid before I got into rock music.
For the Blues it is the Stones over Led Zeppelin for me, particularly for their reverence towards and treatment of the original bluesmen when they were still around, and I probably take Charlie Watts over Bonham, recognising Bonham had enormous power. Similarly to Page and Plant with Bonham, Keith and Mick have always said the Stones would not continue without Charlie.
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Imagine that, people getting along that have varied opinions.
This is why you will always be the forum ..... You have never had that quality, always setting yourself apart from everyone and wearing it like a badge of honor. You want everyone to be in their own little clique.
The quality I most admired about Roger, or is it Synn, or Yakamoto, or Vudu, or big Sparrows or Talpa or J4rno, or whoever your blaming this week, is that you could tell him to .... off today and by tomorrow it was all forgotten. You are still sulking about something he said a decade ago.
The moniker ..... Machine is so appropriate for you. When Roger started his own site, you and principal Povol are the only two regular members of PS who didn’t join. You, just couldn’t because your a pridefull, sulky, loner, ..... who’s claim to fame is saying that you don’t attend the sport you supposedly love because of traffic.
My opinions are vastly different than Jumkie’s, Mike M’s, Gaz, Synn, who I’m going to fight at Misano, because of his recent pro Pedrosa comment.
JPS and I have been at blows and many others. Im cool with all of them because they can recognize that it’s all an exchange of ideas and our dumb personal opinions. We say our piece and move in.
I even have hopes that Walter will someday recognize this, but I’m doubtful seeing that your both attached to the replaced hip of the forum Kancer.
Misery loves Kompany
Yes, also my major problem with the band, and a point of dispute with my brother, a huge fan and someone I agree with about most things. The word caterwauling did sometmes spring to mind. It sometimes worked well though, and they did have a fairly unique power seldom matched either by their contemporaries or bands who followed.
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Arrabbiata1
Blue Smoker
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Clever :clapping:
Which to be fair, is a tad embarrassing. But always remember Mike..."First there is a mountain, then there is no mountain then there is"
He had incredible feel too. Listen to the shuffle/groove on "Fool in the Rain" Regarding power, the first time I listened to Physical Graffiti I was lying on the floor between two very large 50watt Altec horn speakers powered by a valve amp on a vintage 1970s stereo. I remember being blown away by "In my Time of Dying" then the double kick on the 14" bass drum at the end of Custard Pie nearly sent me through the ceiling. The fast-forward funk feel of "Trampled Underfoot" then the backbeat on Kashmir which culminates in his signature kick drum triplet. That was just side 1 and 2 - the first record. I wish I'd still had access to that stereo by the time I discovered "Presence" and "Achilles Last Stand".
At Knebworth Jason took the stool during the soundcheck while Bonzo stood in the field and said it was the only time he got to see Led Zep live and appreciate how massive they sounded.
So many producers and drummers alike have tried to imitate Bonzo's sound but failed dreadfully. They may be mic'd up, but the drums are ultimately an acoustic instrument ... the sound depends upon touch, feel and attack. If anything, Bonham was more powerful live than in the studio, but I love this anecdote...
From the Mick Wall biography:
"There was only one track on which the band consistently struggled and which they eventually came close to abandoning completely before a suitably 'refreshed' Bonzo came to the rescue, and which they consequently named after him - 'Four Sticks'. Based on Page's idea of creating a riff-based song based on a trancelike Indian raga, fluctuating between five- and six-beat meters, the band simply couldn't nail it until Bonham - returning in the early hours from a night out in London - downed a can of Double Diamond beer then picked up two drumsticks in each hand and laid the track down in just two takes."
Much of this owed to Brian Jones (and Alexis Korner), who introduced Mick and Kieth to the Chicago/Delta sound proper beyond their Muddy Waters, Howlin' Wolf and BB King records they exchanged on a train from Dartford. in spite of being a colossal ... was a masterful multi-instrumentalist and although no songwriter had an ear for a melody. Listen to the piano on Ruby Tuesday. First of many cynically exploited by the Glimmer Twins, denied the credit they deserved...(see also Mick Taylor and Gram Parsons).
To be fair, they said the same about Bill. Saying that, Charlie’s got rock-solid time. His playing swings and his shuffles are great because of his comfort with jazz-ride patterns. Without him The Stones would be a completely different- sounding band with an utterly different feel. Paired with Wyman the Stones had what Glyn Johns regarded, as did many, the greatest rhythm section in Rock n' Roll history.
Greatest bit of Jagger "Get Yer Ya Yas Out" aside from "I think I bust a button on me trousers" part, very simply when he intones matter of factly..."Charlie's good tonight in'ee"
I still have a valve amp, and a turntable for that matter, and love that album, by far the best Stones live album.
I am a Stones tragic as you know, and am aware of the Glimmer Twins’ questionable history as far as acknowledging the contributions of band mates, which extends to Ronnie Woods. They did always acknowledge and credit the blues guys who inspired them though, more than Led Zeppelin did, promoted them, had them on the bill on tours etc, which was appreciated by many of those guys I believe.
I am a Stones tragic as you know, and am aware of the Glimmer Twins’ questionable history as far as acknowledging the contributions of band mates, which extends to Ronnie Woods. They did always acknowledge and credit the blues guys who inspired them though, more than Led Zeppelin did, promoted them, had them on the bill on tours etc, which was appreciated by many of those guys I believe.
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Your powers of observation get worse every day. I've had two posts on this thread. One was strictly about racing and the other was reply to Baz about 45 posts into the thread long after all the negativity was vomited onto this thread by all your little pals.
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